這是一個關(guān)于霸王別姬演講素材PPT，主要介紹了《霸王別姬》故事簡介、影片開頭場景、片段賞析等內(nèi)容。1993年電影《霸王別姬》，改編自中國香港女作家李碧華的同名小說，由陳凱歌導(dǎo)演，張國榮[2]、張豐毅、鞏俐領(lǐng)銜主演。全片影像華麗，兼具史詩格局與深刻的文化內(nèi)涵，講述了兩個伶人的悲喜人生，并摻合了半個多世紀(jì)以來的中國歷史發(fā)展。本片曾于1993年榮獲法國戛納國際電影節(jié)最高獎項(xiàng)“金棕櫚大獎”，這也是我國唯一一部獲此殊榮的影片。這部作品也曾在全世界多個國家和地區(qū)公映，是一部享有世界級榮譽(yù)的電影。段小樓（張豐毅）與程蝶衣（張國榮）是一對打小一起長大的師兄弟，兩人一個演生，一個飾旦，一向配合天衣無縫，尤其一出《霸王別姬》，更是譽(yù)滿京城，為此，兩人約定合演一輩子《霸王別姬》。但兩人對戲劇與人生關(guān)系的理解有本質(zhì)不同，段小樓深知戲非人生，程蝶衣則是人戲不分。

霸王別姬演講素材PPT是由紅軟PPT免費(fèi)下載網(wǎng)推薦的一款影視娛樂PPT類型的PowerPoint.

2Oh紅軟基地
Farewell My Concubine:  a 1993 Chinese drama film directed by Chen Kaige， is one of the central works of the Fifth Generation movement that brought Chinese film directors to world attention.Similar to other Fifth Generation films like To Live and The Blue Kite， Farewell My Concubine explores the effect of China's political turmoil during the mid-20th century on the lives of individuals， families， and groups， in this case， two stars in a Peking opera troupe and the woman who comes between them. 2Oh紅軟基地
   《霸王別姬》改編自李碧華同名小說，由陳凱歌執(zhí)導(dǎo)，張國榮、張豐毅、鞏俐主演的電影。敘述伶人程蝶衣對國粹藝術(shù)的執(zhí)著，進(jìn)而投影出歷史與文化在大時代的演變下，造成的激蕩與人生。影片蘊(yùn)含深厚的文化內(nèi)涵，氣勢恢宏，感情強(qiáng)烈，情節(jié)細(xì)膩深遠(yuǎn)。2Oh紅軟基地
The beginning scene， now shot in sepia， cuts to 1924， near the end of the period when the warlords ruled China. Farewell My Concubine is about the story of Dieyi and Xiaolou and how their lives are lived and affected with the Japanese invasion of China in the 1930s， the surrender of the Japanese in World War II， and in the end， the victory of the Communists in 1949.2Oh紅軟基地
A few years later. Laizi， craving freedom and candied crab apples， and Douzi escape， but return after seeing a performance by an opera master that makes Laizi weep and ask how they became stars， and how much they had to endure to become stars. Inspired， Laizi and Douzi return to the troupe， only to find Master Guan beating Shitou for allowing the escape. 2Oh紅軟基地
          終于，在另一名戲童的引誘下，小豆子出逃，而一心疼愛他的小石子也不忍見他受罪，所以冒死相助。成功逃脫的小豆子偶遇京戲名角，聽了一出《霸王別姬》，意識到只有苦練才能成就藝術(shù)的他返回戲班。2Oh紅軟基地
In the meantime， Laizi hides to quickly stuff his mouth the rest of the crab apples. Douzi walks to the beating bench to accept his punishment. Master Guan begins to beat him mercilessly， but Douzi never screams though Shitou begs him to say he is sorry. Shitou charges the master but the assistant yells for the master to come: Laizi had hanged himself.2Oh紅軟基地
         戲班里，小石子正因放走小豆子二人的事挨打，為保護(hù)師哥，小豆子決然擔(dān)下責(zé)任，而師哥不忍看小豆子挨打竟與師傅打斗，混亂中與小豆子一同逃走的戲童因懼怕刑罰而自盡。2Oh紅軟基地
A few years later. Douzi and Shitou become stars of Beijing opera and take on the stage names Cheng Dieyi and Duan Xiaolou. The adult Dieyi is in love with Xiaolou， but the sexual aspects of his affection are not returned. When they become a hit in Beijing， a patron， Yuan Shiqing， slowly courts Dieyi. Xiaolou， in the meantime， takes a liking to Juxian， a headstrong courtesan at the upscale House of Flowers.2Oh紅軟基地
         春去秋來，幾年后，小豆子與師哥合演的《霸王別姬》名震京師。小豆子藝名程蝶衣，對師哥的感情正如虞姬──從一而終，而藝名段小樓的師哥只把蝶衣當(dāng)?shù)艿�，不僅不懂他的曖昧，更在沖動下答應(yīng)要娶同樣命運(yùn)多舛的風(fēng)塵女子菊仙。2Oh紅軟基地
Juxian later buys her freedom and， deceiving him into thinking she was thrown out， pressures Xiaolou to keep his word. When Xiaolou announces his engagement to Juxian， Dieyi and Xiaolou have a falling out. Dieyi calls her "Pan Jinlian"， a "dragon lady" from the novel Golden Lotus. 2Oh紅軟基地
        蝶衣隨即和菊仙爭風(fēng)吃醋。在意識到大大咧咧的師哥對他們倆的過去非常淡漠后，蝶衣欲與段小樓決裂，卻又在段小樓惹了侵略中國的日本兵而被關(guān)押后為救他委身給日本人唱戲，反遭段小樓誤會。2Oh紅軟基地
The abandoned baby， who is trained in the female roles. He is called “Xiao Si”. the People‘s Liberation Army’s entrance of the city， and the Cultural Revolution‘s attack of the “feudal” traditional opera.“Xiao Si” and Douzi have an argument about “Xiao Si” training and punishment at the end of which “Xiao Si” threatens revenge.當(dāng)年蝶衣好心收養(yǎng)的孩子小四和蝶衣為京劇的演繹方式起了沖突，在當(dāng)時背景下，小四獲得了更多支持。2Oh紅軟基地
On the eve of the Cultural Revolution， Shitou and Juxian are seen burning now contraband literature and clothing. Under duress， Shitou confesses that Douzi performed for the Japanese and may have had a relationship with Yuan Shiqing. Douzi， enraged， tells the mob that Juxian was a prostitute. 2Oh紅軟基地
        文革時，段小樓被小四陷害，被拉去游街。無奈之下道出蝶衣曾吸毒，甚至說他與人通奸。蝶衣聽后痛不欲生以為段小樓只在乎菊仙，對愛情與藝術(shù)都感到絕望，便將所有的憤懣發(fā)泄在菊仙身上，抖出菊仙曾為娼妓。2Oh紅軟基地
Shitou is forced to admit that he married a prostitute but swears that he doesn‘t love her and will never see her again for the sake of his life. Juxian is crushed to hear his words and， when given the chance to visit her， he finds her hanged. She has committed suicide from a broken heart.2Oh紅軟基地
         段小樓因此被逼與菊仙劃清界線，菊仙絕望中上吊自殺。而小四也未能逃過被批斗的命運(yùn)。2Oh紅軟基地
The film then jumps back to the first scene of their reunion in 1977. Douzi and Shitou are practicing Farewell My Concubine. Their relationship seems to have mended since the tribunal and suicide of Shitou's wife. They exchange a smile and Shitou begins with the line that gave Douzi trouble forty years ago. Douzi makes the same error of finishing the line with "I am not a girl". Shitou corrects him and they continue practicing. Douzi then commits suicide by sword in the same manner as in the play.2Oh紅軟基地
           歷盡滄桑的程蝶衣和段小樓在十一年后再演《霸王別姬》，蝶衣情感依舊，卻驀地被段小樓提醒：自己原來終究是男兒。是的，自己是男兒，對段小樓的愛情都不過是一場美好而痛心的奢夢，終于夢醒，卻將身心都已傾獻(xiàn)。不愿夢醒的蝶衣寧愿像虞姬一樣，永遠(yuǎn)倒在血染的愛情里──從一而終，他用自己送給段小樓的寶劍自刎了。2Oh紅軟基地

霸王別姬英語ppt：這是霸王別姬英語ppt，包括了MAIN INFORMATION，CONTENTS，MAIN CHARACTERS，ACHIEVEMENTS，COMMENTS等內(nèi)容，歡迎點(diǎn)擊下載。

霸王別姬ppt課件：這是一個關(guān)于霸王別姬ppt課件，主要介紹了陳凱歌《霸王別姬》獲獎記錄、影片簡介、程蝶衣之為虞姬、程蝶衣、段小樓之為霸王、菊仙之為虞姬等內(nèi)容。這是部中國電影之中雅俗共賞的典范作品，也是兩岸三地電影人合作拍片最成功的代表作，曾獲戛納國際電影節(jié)金棕櫚獎。改編自香港女作家李碧華原著小說。電影描述程蝶衣自少被賣到京戲班學(xué)唱青衣，對自己的身份是男是女產(chǎn)生了混淆之感。師兄段小樓跟他感情甚佳，段唱花臉，程唱青衣。兩人因合演《霸王別姬》而成為名角，在京城紅極一時。不料小樓娶妓女菊仙為妻在先，在文革時期兄弟倆又互相出賣之后，使蝶衣對畢生的藝術(shù)追求感到失落，終于在再次跟小樓排演首本戲時自刎于臺上，歡迎點(diǎn)擊下載霸王別姬ppt課件哦。

《霸王別姬》影視賞析ppt：這是一個關(guān)于《霸王別姬》影視賞析ppt，主要介紹了電影故事背景、人物性格分析、鏡頭語言分析、音樂分析、光線分析、細(xì)節(jié)分析等內(nèi)容。影片時間經(jīng)過了國民革命，軍閥混戰(zhàn)，抗日戰(zhàn)爭，解放戰(zhàn)爭，社會注意改造運(yùn)動，文化大革命以及文革之后。在敘事上既沒有沉溺于人生俗事的瑣屑，也沒有執(zhí)著于歷史敘事的空闊，而是把歷史事件，歷史人物和主人公交織在一種虛構(gòu)的人物關(guān)系和故事情節(jié)中，創(chuàng)造出一種宏闊的歷史視野和歷史氛圍，展開了其頗具獨(dú)創(chuàng)性的人生傳奇故事，避免人物的模式化概念化。京劇作為中國傳統(tǒng)文化代碼成為一個特殊載體貫穿了整部電影，京劇人生，現(xiàn)實(shí)人生和社會歷史的變遷形成三位一體的線索，歡迎點(diǎn)擊下載《霸王別姬》影視賞析ppt。